Neil Ewins. Neil Ewins' study of the Staffordshire potteries in a period of great global change traces how ceramics production has been affected by globalisation in both familiar and unexpected ways. Although many manufacturers such as Wedgwood initially moved production to cheaper labour markets in East Asia, others remained in or returned to England once it became clear that outsourcing manufacturing was affecting the brand value and customer perception of their products. Neil Ewins explores the complex behaviour of the UK ceramics industry, using a combination of evidence from the press, trade journals, ceramic objects, and primary interview evidence of manufacturers, retailers and a ceramic designer. Ewins suggests that, although the surface designs of UK ceramics invariably reflect diverse cultural and stylistic influences, a notion of authenticity often still resides in the place and context in which the ceramic product was originally made.
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When valuing Royal Doulton figurines, the book standard refers primarily to the Charlton Catalogue. While other guides are available, the Charlton Catalogue provides precise information along with a visual guide as to what the figurine should actually look like. Available at all good book stores, the Charlton Catalogue lists each HN figurine by number, along size, artist and having a full description along with the quoted value dollar amount. While the book is a great reference, actual sales of the figurines rarely make the dollar amount quoted in the book. Usually people will quote the value listed in the book, but will ask for less than that amount. This refers to sales of previously owned pieces.
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Frank L. For nearly three hundred years, from the late seventeenth to the middle twentieth century, stoneware was a major part of British ceramic output. This book concentrates on that particular area of ceramics, and covers the history and development of stoneware in all its many variations. Those variations range widely from brown salt-glazed tavern wares to such refined wares as jasper, Castleford ware and the later art wares, to name a few. A specific aspect of the book is to give anyone interested in ceramics, and collectors in particular, very comprehensive information on the manufacture of the different types of stoneware, from the preparation of the clay, or body, through the forming, decorating and glazing techniques to the firing.